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Can cultural engagement and academic research change
the world?
—We Think so!

Slavery North is a one-of-a-kind academic and cultural destination where scholars, thinkers, artists, and cultural producers build community and produce research and cultural outcomes that transform our understanding of the neglected histories of Transatlantic Slavery in Canada and the American North

Slavery North seeking to advance social justice

By recuperating and interrogating the complex histories of Transatlantic Slavery and European colonization of the Americas, and recovering the cultures, experiences, lives, and resistance of enslaved peoples in Canada and the American North. We do this by building a supportive research community through fellowships, programs, events, publications, media work, and education.

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Historical Archive

Slavery North is a research institute that was established in 2022. It combines a focus on slavery in Canada and the American North. It is an international first.

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More About Us

Slavery North is a research institute that was established in 2022. It combines a focus on slavery in Canada and the American North.

Learn more

Mandate Areas

Before there was Canada and the USA, there was British North America.

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Job

Fellowship Opportunity: UMass Amherst Undergrad Honors

by Dr. Charmaine Nelson

purple graphic with the text "fellowship opportunity: artist-in-residence"

Job

Fellowship Opportunity: Artist-in-Residence

by Dr. Charmaine Nelson

purple text-based image reading: visiting open rank research professor

Job

Fellowship Opportunity: Visiting (Open Rank) Research Professor

by Dr. Charmaine Nelson

As an artist-in-residence fellow, I welcomed the opportunity to research and create ‘Between Slavery and Sovereignty.’

I believe that however painful and unpleasant the past is, there is the possibility to create something beautiful and healing out of the pain.

Tyshan Wright, artist-in-residence fellow (Winter 2022)

My time as an artist-in-residence fellow had a profoundly positive impact on my development as an artist.

I would highly recommend that any establishing artist consider taking up such an opportunity in the future.

Tonya “Sam'Gwan” Paris, artist-in-residence fellow (Fall 2021)

The fellowship put me in touch with an incredible cohort of scholars and artists

from which many fruitful conversations have been had across research sites and disciplines.

Chris Gismondi, gradutate student fellow (Winter 2022)

The mandate and practice invites critical enquiry of slavery by fellows coming from both artistic and scholarly backgrounds.

Putting together these two groups in real dialogue allows for original artistic production firmly based on research and academic formal work built through new conceptual questions and community-centred problematizations.

Bruno R. Véras, graduate student fellow (Fall 2021)

The fellowship gave me — a non-POC visual artist — a pathway into the scholarly grounding needed

for my area of interest, and support for my unconventional approach. It has given me confidence to meaningfully, responsibly, and creatively engage with difficult histories.

Amanda Trager, graduate student fellow (Spring / Summer 2022)

This fellowship supported my research on Canadian slavery, but it has also opened many doors to engage with the overlooked histories of slavery in the American North.

I am incredibly grateful for Dr. Charmaine A. Nelson's encouragement and support, as well as for the team behind Slavery North who share a passion for remembering and interrogating the history of Atlantic Slavery.

Emily Draicchio, graduate student fellow (Spring / Summer 2022)

Before there was Canada and the USA,
there was British North America.

Historical Archive

Browse our extensive historical archive and find articles using our various filters…

Stay informed and read the latest news today

There is no other dedicated, specialized initiative of this kind in the world. Let us tell you more about our ground-breaking work.

Doctor Charmaine A. Nelson

Dr. Charmaine A. Nelson Director & Provost Professor of Art History


Is supported in this work by wonderful Research Assistants, an esteemed Advisory Board, affiliated centres, and dedicated staff at the University of Massachusetts.

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